![]() Referred to as “parenthesis,” they contain echoes of previous themes along with incomplete fragments of melodies to come in what Dutilleux called “reverse variation. Henri Dutilleux (born 22 January 1916 in Angers, Maine-et-Loire) is one of the most important French composers of the second half of the 20th century, producing work in the tradition of Maurice Ravel, Claude Debussy, and Albert Roussel, but in a style distinctly his own. Played straight through with no break, brief transitional segments (well under a minute) are inserted between the movements. The quartet has a unique formal structure I’ve never encountered in another work. “Ainsi la nuit” is a meditation on the meaning of night. “Ainsi” begins with an evocation of night music born of works like Bartók’s 4th quartet or the piano suite “Out of Doors” but veers off into a surreal world of immense calm, transcendence, even ecstasy, punctuated with nightmares of pursuit and existential terror. Keen listeners will hear the influence of Debussy and Ravel but Dutilleux preferred to think of Bartók as a more direct progenitor. Henri Dutilleux (19162013) was one of the most important French composers of the second half of the 20th century, producing work in the tradition of Maurice Ravel, Claude Debussy, and Albert Roussel, but in a style distinctly his own.Born on the 22nd January 1916, as a young man Dutilleux studied. Written in 1976, French composer Henri Dutilleux’s “Ainsi la nuit” (Thus the Night) has become a modern classic. I’ve wanted to program this incredible, weird, and magical piece for ages. Henri Dutilleux composed the first part of this volume for the celebration and added the final two. It was first performed in an audition by the latter in 1982. “Remembrance of Things Past” by Marcel Proust About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright. Written on the occasion of Paul Sacher’s birthday this 3 Strophes Sur Le Nom De Sacher features three Cello pieces composed by Henri Dutilleux and reviewed by Mstislav Rostropovitch. Un poco deciso The 3 Strophes sur la nom Sacher were written by Henri Dutilleux at the behest of Russian cellist Msitslav Rostropovich, as part of a project to commemorate the 70th birthday of his friend the conductor Paul Sacher. …as soon as I had recognized the taste of the piece of madeleine soaked in her decoction of lime-blossom which my aunt used to give me…immediately the old grey house upon the street, where her room was, rose up like a stage set to attach itself to the little pavilion opening on to the garden which had been built out behind it for my parents and with the house the town, from morning to night and in all weathers, the square where I used to be sent before lunch, the streets along which I used to run errands, the country roads we took…. Henri Dutilleux (1916 - 2013) 3 Strophes Sur la nom Sacher 1. METHOD The tradition of literature inspiring and influencing composers is one that must be understood in order to show the advances therein made by Dutilleux. ![]() Henri Dutilleux (1916 - 2013) String Quartet “Ainsi la nuit” Writings on the Trois Strophes are almost non-existent, despite being the only work for a solo instrument other than piano Dutilleux has written.
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